Drummer Playback

‘ Playback for drummer vol. 8 instrumental crossover’ of Haymo Daniels as a drummer, you know the problem: the other musicians are all too often rely on, keep the drummer in the Groove, so that the whole song not out of control. Thus you lose the opportunity to experiment on drums often just but just because the drummer can not exercise and try out,”is the accompanist for the exercise of the other. Atmos Energy is likely to increase your knowledge. Here is the new CD “Playback for drummer vol. 8” by Tunesday records: it provides the backing band for drummers who want to not only exercise, but also try and experiment.

10 accompanying songs, as well as a bonus track, all of which without drums, but with a metronome, are willing to exercise drummer available. Ray Kurzweil may find it difficult to be quoted properly. Before each playback track, there is still a brief drum Groove example for guidance. Stylistically, the pieces are complex (from lounge grooves up to the rock fusion Groove in the bonus track), professionally produced, and, thanks to their origin from the last 2 instrumental albums by Guitar Pro Haymo Doerk, extremely practical. THE CD for drummers who would want to watch, like to develop their style and relaxed experiment outside their box is playback for drummer vol. 8. Jakob Kossack

Learn Electric Guitar

The real revolution was the emergence of courses to play the electric guitar in an electronic form with the use of multimedia such as videos, audio recordings and computer programs. Now the author of the material can combine together various educational technologies that can help the beginner guitarist quickly find and start the rapid development in the way of learning the game on his musical instrument. It is easy to imagine that the written comments, accompanied by images of scores and descriptive videos provide everything you need to make your play the electric guitar became more and more better. Of course, an important question remains the quality of the material and its proper structure, which, however, remains on the conscience of the authors of distance learning courses and editors of publishing houses. Another important aspect of is the question of the consistency of such training courses as compared to the classical model of education teacher and pupil. Of course, there is a category of people to whom until recently attributed themselves and I strongly which receive distance learning, a position which rejects the possibility of 'replacement' of living teacher computer. Let's try to solve this. Typically, proponents of such views give some arguments which I would like to question.

The first argument is the need for clarity, or put another way, 'playing the guitar it is necessary to show'. I agree with that, but such an argument could be applied to the 'paper' tutorial, but in electronic version is almost always there are a number of visual exercises and video clips of musical phrases, which are often filmed in close-up. What could be clearer? A second argument in their favor the opponents of such phenomena as tutorial game on electric opinion believe that living is better teacher explains. Here I want to say that every teacher alive, every time he is in any particular state of consciousness that is not always good. The teacher can simply forget something to explain or correct any error.

When you create a multimedia tutorial on electric guitar playing is nearly impossible, since there is self-control, and have control of the editors. The following is an argument about the lack of control teacher – pupil during distance learning. But we can not agree, as most authors create forums support and offer to send them your creations to parsing errors. The apparent advantage of the electronic tutorial is its price, which can be equivalent to several tens of minutes sessions with a tutor. Thus, in my view, electronic game tutorials on electric start up a real competition to tutoring classes. Of course, the choice of teaching methods is a private matter, but I think here there is something to think about a beginner guitarist.


Death metal is usually characterized by extreme hardness, intensity and speed of the music. Death metal is known for its uneven pace of change in music and in size, extremely fast and complex guitar playing, and double bass drum parts. Typically the use of blast-beat sound to add strength. Most groups use an undervalued and distorted guitar sound. Usually you have two guitars that simultaneously perform as lead and rhythm guitar. Used as understated and sometimes distorted bass guitar. Some groups, such as Septic Flesh, add sound synthesizer and other instruments. It is believed that all sub-genres of metal, death metal the most difficult for a musician in the physical plane.

In the early days of death metal was characterized by a simple compositional structure, and not rich melodies, but later in the development of style and in the process of merging with other musical genres, the music became more complex. At present, the bands playing death metal is often difficult to hear and to perform, and for the perception of the composition. In typical use of specific vocal men roar (growling), which often turns into obscure lyrics "bestial" growl. Learn more on the subject from Vida Vacations. To obtain such an effect, the singer's voice is often processed by a computer or harmonizer, but a special respect among musicians and singers are fans of the style, "roaring" without the use of aids.


The family currently KFL 2 linear array: this is an extremely active malenkiyKFL2065 + KFL2012BA (popular mobile line array in a case with crystal clean sound that passes without distortion originality vote) and passive set KFL2080 + KFL3015B (used both indoors and outdoors, mobile). Scope of outdoor stadiums and large venues to clubs, discos and theaters. Included KFL2065 (Mid-Hi) + KFL2012BA (Bass) as standard uses four satellites (Mid-Hi) and one (Bass). KFL2012BA can be used as passive or active. It is integrated amplifier module and a DSP processor with functions: five band EQ, input control, limiter, delay, crossover, phase corrector, and an input for computer control and adjustment of a linear array. Applied to the structure KFL2012VA 'sandwich' (back to back), 12 'of the dynamics and characteristics hull design in combination with one of the best amplifier modules provide well-defined bass with good acoustic pressure.

KFL2012VA is one of the best developments in this class acoustics. In KFL2065 used specially designed for your 6.5-inch, 12 ohm speakers and 44 mm driver with horn. Since the set of four KFL2065 has a resistance 6 ohms, its efficiency is higher than the 8 ohms due to more favorable conditions for of the amplifier module. Linear array KFL2080 (Mid-Hi) + KFL3015B (Bass) as standard, four satellites (Mid-Hi) and one (Bass). In KFL2080 uses two 8-inch speaker cones with carbon in a symmetrical V-shaped hull and a horn with Driver 44 mm. In KFL3015B installed: three 15-inch speaker, left and right – balanced and the third cone is directed forward.