Thus the third verse of this taken off (it repaired that it is an saying) it does not mean more nothing. Here, we see a poet whom he reflects on the language, or, more necessarily, on the use that makes of the language in elaboration of the poem. The freedom to the level of the manifest language in the Periclitam poem the crickets, for the rupture that presents in relation to the literary traditionalism, where the poet if serves of the mood and the coloquial language. Its poetical subversive one appears in the use that O' Neill makes of place-common or cliches: I do not go to only pull therefore, the wire to its hank, the poet who verseja, ' ' more nada' ' , it exactly demonstrates thus a concern with the poetical creation. Sousa Days assevera that a poem ' ' it swims wants explicar' ' , however, the verses of O' ' Neill discloses, what ' ' for the ways of the poetry it only can be dito' ' , its conception of poetry, in which it invigorates the freedom, over all the freedom of the word.

The approach enters the workmanships of Murilo Mendes and Alexander O' Neill not if of only for the use of the Portuguese language as substance cousin, but, mainly, for the influence of the surrealista movement that makes with that the two have the freedom as its poetical horizon. As well as in O' Neill, the poem recurrence that sends the construction poetical, is very common in Murilo. Therefore, the great poem number is noticed (goal) with headings as dialtico Poem, After-poem, new Poem etc. Another poem whose heading already takes in them to think about the poetical work is Legal-size human being, of Poetry Freedom: HUMAN CRAFT the harps of the morning vibrate soft and rseas. The poet opens its archive? the world? goes removing of it joy and suffering So that all the things passing for its heart are readjusted in the unit.